{"id":686,"date":"2015-09-05T00:00:09","date_gmt":"2015-09-05T05:00:09","guid":{"rendered":"https:\/\/dieresis.com\/?p=686"},"modified":"2021-11-02T21:40:10","modified_gmt":"2021-11-03T03:40:10","slug":"museographic-essay-no-2-from-modern-to-contemporary","status":"publish","type":"post","link":"https:\/\/dieresis.com\/en\/museographic-essay-no-2-from-modern-to-contemporary\/","title":{"rendered":"Museographic Essay No. 2: From modern to contemporary"},"content":{"rendered":"\n
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Ensayo museogr\u00e1fico No. 2, Fotograf\u00eda: Museo Tamayo.<\/p>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div><\/div>\n\t\t\t\t\t

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Acercamiento de panel de F\u00e9lix Candela, Fotograf\u00eda: Museo Tamayo.<\/p>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div><\/div>\n\t\t\t\t\t

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Panel de trabajo de F\u00e9lix Candela (1910-1997), Fotograf\u00eda: Museo Tamayo.<\/p>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div><\/div>\n\t\t\t<\/div>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n

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Museographic Essay No. 2: From modern to contemporary.<\/i>
(Mexico City, Sept- Oct. 2015)
Museo Tamayo<\/h2>

This series of “Museographic Essays” aims to set new grounds for collections display in an effort to understand and enrich Museo Tamayo\u2019s modern and contemporary art collection, while distinguishing two particular approaches and interpretations in art production over the past century. A great majority of the pieces identified here as modern art were donated to the museum by Rufino Tamayo, and many were part of his personal collection, which included artists like Mark Rothko, Ren\u00e9 Magritte, Pablo Picasso or Isamu Noguchi\u2014all of them working with traditional media like painting, sculpture and drawing.<\/p>\r\n\r\n

Museographic Essay No.2 is articulated around a panel by F\u00e9lix Candela (1910\u20131997) that shows a couple of his most important projects. The panel remained on display in his studio in Mexico City for decades, until recently. With architecture as a main reference in the selection of works\u2014primarily modern in the first gallery, followed by contemporary works in the second gallery and the central courtyard\u2014this show seeks to generate a dialogue between modern and contemporary, using museographic lighting parameters to underline the distinctions between the two spaces and highlighting the architecture of the building as an important element in the reception of art<\/p>

M\u00e1s Informaci\u00f3n<\/a><\/div> <\/div>\n<\/div>\n <\/div>\n <\/div>\n \t <\/div>\n\t<\/div>\n\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"

(Mexico City, Sept- Oct. 2015)
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