{"id":326,"date":"2021-10-24T20:52:24","date_gmt":"2021-10-25T01:52:24","guid":{"rendered":"https:\/\/dieresis.com\/saadane-afif-france-1970\/"},"modified":"2021-10-25T00:25:12","modified_gmt":"2021-10-25T05:25:12","slug":"saadane-afif-france-1970","status":"publish","type":"post","link":"https:\/\/dieresis.com\/en\/saadane-afif-france-1970\/","title":{"rendered":"Sa\u00e2dane Afif (France, 1970)"},"content":{"rendered":"<!--themify_builder_content-->\n<div id=\"themify_builder_content-326\" data-postid=\"326\" class=\"themify_builder_content themify_builder_content-326 themify_builder tf_clear\">\n    \t\t\t<!-- module_row -->\n\t<div  data-lazy=\"1\" class=\"module_row themify_builder_row tb_rcpj846 tb_first tf_w tf_clearfix\">\n\t    \t\t\t<div class=\"row_inner col_align_top tb_col_count_2 tf_box tf_rel\">\n\t\t            <div  data-lazy=\"1\" class=\"module_column tb-column col3-2 tb_l144847 first\">\n                                                        <div class=\"tb-column-inner tf_box tf_w\">\n                        <!-- module image -->\n<div  class=\"module module-image tb_7gwi363   image-top tf_mw\" data-lazy=\"1\">\n        <div class=\"image-wrap tf_rel tf_mw\">\n\t\t    <a href=\"https:\/\/dieresis.com\/wp-content\/uploads\/2021\/10\/Suspense-2011-Saadane-Afif-Francia-1970.jpg\"\n\t       \t       >\n\t\t   \t\t<img decoding=\"async\" width=\"516\" height=\"341\" src=\"https:\/\/dieresis.com\/wp-content\/uploads\/2021\/10\/Suspense-2011-Saadane-Afif-Francia-1970.jpg\" class=\"wp-post-image wp-image-289\" title=\"Suspense, 2011. Sa\u00e2dane Afif (France, 1970).\" alt=\"Suspense, 2011. Sa\u00e2dane Afif (France, 1970).\" srcset=\"https:\/\/dieresis.com\/wp-content\/uploads\/2021\/10\/Suspense-2011-Saadane-Afif-Francia-1970.jpg 516w, https:\/\/dieresis.com\/wp-content\/uploads\/2021\/10\/Suspense-2011-Saadane-Afif-Francia-1970-300x198.jpg 300w\" sizes=\"(max-width: 516px) 100vw, 516px\" \/>\t    <\/a>\n\t\n\t\t<\/div>\n\t<!-- \/image-wrap -->\n    \n    \t<div class=\"image-content\">\n\t    \n\t    \t\t<div class=\"image-caption tb_text_wrap\">\n\t\t    <strong><i>Suspense<\/i>, 2011.<\/strong>\r\n<br>\r\nVariable dimensions.\r\n<br>\r\n3 black clocks on wall plus 3 white clocks on wall.\t    <\/div>\n\t    <!-- \/image-caption -->\n\t    \t<\/div>\n\t<!-- \/image-content -->\n    \t<\/div>\n<!-- \/module image --><!-- module text -->\n<div  class=\"module module-text tb_fm98346   \" data-lazy=\"1\">\n        <div  class=\"tb_text_wrap\">\n    <h4>Sa\u00e2dane Afif (France, 1970)<\/h4><p>Defined as \u2018post-conceptual\u2019, Sa\u00e2dane Afif\u2019s work is about interpretation, exchange and circulation. It takes multiple forms (performance, objects, sculptures, text, posters and works in neon) with the exhibition as a pretext for production or activation. <\/p>\r\n<p>For a show in Essen in 2004, he asked Lili Reynaud Dewar to write a song inspired by his artwork; this was the beginning of the series called Lyrics for which he displaces his authorship and collaborates with other artists or writers. The texts or statements are often transferred to the walls using holographic self-adhesive paper. Afif\u2019s practice is rooted in music: scores, instruments, amplifiers, speakers, microphones, concerts are part of his vocabulary or media. Other recurring interests include the passing of time (skulls, clocks), appropriation,remakes or repetitions and the displacement of meaning, and the critique of institutions. In 2010 Afif wrote: \u201cMy work today does not rely on the object: it is developed through the accumulation or interweaving of elements that can be more or less visible.\u201d<\/p>\r\n<p>Recent solo exhibitions include L\u00e0 bas, Kunsthaus Glarus (2014);Ici, Leopold-Hoesch-Museum &#038; Papiermuseum, D\u00fcren (2014),From the collection: Sa\u00e2dane Afif Technical Specifications, Room 2, Kunstmuseum Liechtenstein (2014) and Blue Time, Blue Time, Blue Time\u2026, Institut d\u2019Art Contemporain, Villeurbanne.<\/p>\r\n<p>Sa\u00e2dane Afif\u2019s work was included in Documenta 12 in 2007 and the 56th International Exhibition of the Venice Bienniale in 2015. The artist won the Prix Marcel Duchamp in 2009, which led to an exhibition at the Centre Georges Pompidou, Paris, in 2010.<\/p>\r\n<p>He lives and works in Berlin.<\/p>    <\/div>\n<\/div>\n<!-- \/module text -->                    <\/div><!-- .tb-column-inner -->\n                            <\/div><!-- .module_column -->\n                        <div  data-lazy=\"1\" class=\"module_column tb-column col3-1 tb_ms0q985 last\">\n                                                        <div class=\"tb-column-inner tf_box tf_w\">\n                        <!-- module template_part -->\n<div  class=\"module module-layout-part tb_xo9j884 \">\n    <div class=\"tb_layout_part_wrap tf_w\"><!--themify_builder_content-->\n    <div  class=\"themify_builder_content themify_builder_content-402 themify_builder not_editable_builder in_the_loop\" data-postid=\"402\">\n        \t\t\t<!-- module_row -->\n\t<div  id=\"select_artist\" data-lazy=\"1\" class=\"module_row themify_builder_row tb_vaxf180 tf_w 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Variable dimensions. 3 black clocks on wall plus 3 white clocks on wall. Sa\u00e2dane Afif (France, 1970) Defined as \u2018post-conceptual\u2019, Sa\u00e2dane Afif\u2019s work is about interpretation, exchange and circulation. It takes multiple forms (performance, objects, sculptures, text, posters and works in neon) with the exhibition as a pretext for production or activation. For [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":289,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[],"class_list":["post-326","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-highlights","has-post-title","has-post-date","has-post-category","has-post-tag","has-post-comment","has-post-author",""],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.10 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Sa\u00e2dane Afif (France, 1970) - Colecci\u00f3n Di\u00e9resis<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dieresis.com\/en\/saadane-afif-france-1970\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sa\u00e2dane Afif (France, 1970) - Colecci\u00f3n Di\u00e9resis\" \/>\n<meta property=\"og:description\" content=\"Suspense, 2011. Variable dimensions. 3 black clocks on wall plus 3 white clocks on wall. Sa\u00e2dane Afif (France, 1970) Defined as \u2018post-conceptual\u2019, Sa\u00e2dane Afif\u2019s work is about interpretation, exchange and circulation. It takes multiple forms (performance, objects, sculptures, text, posters and works in neon) with the exhibition as a pretext for production or activation. 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